Skip to main content

Do not Go Gentle into That Good Night by Dylan Thomas Summary & Analysis

About the Author

   Dylan Thomas, (born Oct. 27, 1914, Swansea, Wales—died Nov. 9, 1953, New York,N.Y., U.S.), Welsh poet and prose writer. He left school at age 16 to work as a reporter. His early verse, as in The Map of Love (1939), with rich metaphoric language and emotional intensity, made him famous. In the more accessible Deaths and Entrances (1946), with “Fern Hill,” he often adopts a bardic, oracular voice. In Country Sleep (1952), containing “Do Not Go Gentle into That Good Night,” and Collected Poems (1952) followed. Thomas’s prose includes the comic Portrait of the Artist as a Young Dog (1940); a play for voices, Under Milk Wood (1954); and the reminiscence A Child’s Christmas in Wales (1955). His sonorous recitations contributed greatly to his fame. Debt and heavy drinking began taking their toll in the late 1930s, and he died of an alcohol overdose while on tour.

Summary of the Text

    Dylan Thomas wrote “Do Not Go Gentle into That Good Night” in 1951. He was a well-known author. The son wrote these words for his father right before the father died. People can’t stop death or guess when it will happen. In his own life, the author died too soon, and in the poem, he talks about and explores the tension of dying. It is one of Dylan Thomas’s most popular poems, and students all over the world study it. The author uses metaphors and figures of speech in a clever way. The poem also has a moving message about life and death. The author wrote this poem, five years after the first edition came out, but most people think he wrote it for his dying father, who died in late 1952. Instead, Thomas passed away in November 1953.

Poet starts their poem in a strong voice, telling the nameless audience to fight death. The Poet tells an unknown listener that he shouldn’t try to avoid death calmly, but should instead fight it hard. For death and life, the poet uses night and day as figures of speech. The poet of this poem divides men into four groups to make the reader think about what kind of men they are getting close to death: wise, good, wild, and grave. Thomas imagines his father’s death and compares it to the words “good night,” which creates the main image of the poem.

The poet either insists or begs so desperately that you fight death rather than give up and die. No matter how easy or hard your life is, he thought, you shouldn’t refuse to give up when you’re about to die. The poet said that wise men know they are going to die, but they still feel like they haven’t made a difference in the world, like someone who can’t change the world because of lightning or forks.

The argument goes on to say that even good men who made the world a better place during their lives are angry about the light going out. that is, a good person to fight against death for the same reasons. But their goodness doesn’t work right because their actions are still “frail” and haven’t stood strong enough, like a huge wave in a quiet bay. It means that good men’s values are less valuable if they don’t have a great evil to fight against death. While good men want more time to live, wild men refuse to accept that they will die and want to live forever in this very moment. Good men can fight death because they think they have done more. Their past life seems to have gone by quickly because they were sad about small things that could make a big difference in the world. Old men hold on to life with their knowledge and wisdom because they know how valuable life is.

Another line from the poem is about “wild men” who choose to live their lives to the fullest. Though they enjoy life’s beauty and complexity, they’ve been noticing that the sun is setting behind them. Because of this, they refuse the peaceful coming of death and have to face the fact that they will die. Poet talks about “grave men” in the next line. These are people who are serious about life and close to death but have to fight death.

The poet finally got personal and told his father, “Please don’t give up so soon and don’t accept it as your fate. You must fight once for a living.” So that his father can understand what kind of life he wants, he uses the song to show four different kinds of men who “rage” against death. He hoped that these examples would show his father how to fight finality in the same pointless way they did. The Poet tells his father that he should feel anything when he thinks about dying.

Poet wants everyone to find the point and meaning of their life while going about their daily lives. People lose their sense of purpose and meaning in life when it gets dark or night. After hearing about both day and night and how they are different, he asks his dad to pick light. Being able to change time makes this quote even more important: “Having a purpose in life is very important.” Last but not least, everyone should fight when it’s old and dying.

Poet wants everyone to find the point and meaning of their life while going about their daily lives. People lose their sense of purpose and meaning in life when it gets dark or night. After hearing about both day and night and how they are different, he asks his dad to pick light. Being able to change time makes this quote even more important: “Having a purpose in life is very important.” Last but not least, everyone should fight when it’s old and dying.

The strong poem “Do Not Go Gentle into That Good Nigh” urges people to fight death and live their lives to the fullest. It’s a kid telling his father not to let go of the situation, even though the father can’t change it. Poet uses examples to show that youth is irreversible and that life is always short. This poet got ideas from the poem because he had a sad and difficult life and worked as a radio host for many years. This poem uses literary methods very skillfully to bring out its theme and tone of defiance, which runs through the whole thing.


Critical Analysis

    Dylan Thomas’s song “Do not go gentle into that good night,” which came out in 1951,is a son’s plea to his dying father. The speaker wants to show his father that all men will die, but they still have to fight for their lives. There are six stanzas in the song. Five have three lines each, and the sixth has four lines. Let’s look at it one line at a time to get a better sense of what it means and what it says.

Stanza 1

    The main idea of this song is almost “Old age should burn and rave at the end of the day.” Thomas sorts men into four groups to help his dad understand that there is a reason to live, no matter what he does, how it turns out, or who he is. Thomas might use these categories to say that his father has no excuses, no matter what he did in life.

Stanza 2: Wise Men

     It’s the “wise men” that Thomas talks about first. “Though wise men at their end know dark is right,” the first line of the stanza says. This line suggests that the wise know that death is a normal part of life and should accept it. In spite of this, the next line says that they are still fighting death because they feel like they haven’t become famous enough in life. For Thomas, “Because their words had forked no lightning” means that they want to stay alive so that they can leave their mark on history and keep their places as great thinkers or scholars.

Stanza 3: Good Men

    Thomas moves on and calls the next group of people “good men.” As the end draws near, they too think about their lives: “Good men, the last wave by, crying how bright.” There are two parts to this line. Thomas may be saying that there aren’t enough good guys in the world and that he thinks the world would be a better place with his father by saying “the last wave by.” Second, “crying how bright” could mean guys telling their stories in public. As Thomas continues with the next line, “their frail deeds might have danced in a green bay,” he laments the thought of men knowing that their actions, no matter how important they seemed at the time, will not be remembered.

Stanza 4: Wild Men

     Thomas moves on and calls the next group of people “good men.” As the end draws near, they too think about their lives: “Good men, the last wave by, crying how bright.” There are two parts to this line. Thomas may be saying that there aren’t enough good guys in the world and that he thinks the world would be a better place with his father by saying “the last wave by.” Second, “crying how bright” could mean guys telling their stories in public. As Thomas continues with the next line, “their frail deeds might have danced in a green bay,” he laments the thought of men knowing that their actions, no matter how important they seemed at the time, will not be remembered.

Stanza 5: Grave Men

      The last group Thomas talks about are “grave men”: “Grave men, near death, who see with blinding sight.” In this line, the word “grave” almost has two meanings: it can mean both men who are sad and men who are close to dying.They know that living a long time is hard on them and that their bodies are breaking down. Their eyes are failing along with the rest of their body, but even though they are weak, they still have a burning desire to live. “Blind eyes could blaze like meteors and be gay” is a phrase that describes how hard it is for men to stay alive. The speaker says that his father might be okay with living longer even though he is very sick.

Final Stanza

     In the last stanza, the person finally says what they want to say. He says that all guys fight for more time, no matter what they’ve been through or where they are now. He tells his dad to do the same thing. “Curse, bless, me now with your fierce tears, I pray” shows how much pain and emotion he is in as he begs his father not to die. The speaker asks his father not to give up as he sees his father die.

Comments

Popular posts from this blog

Hawk Roosting by Ted Hughes Summary and Analysis

 ➥About the Author     Ted Hughes was born on 17 August 1930 in the Yorkshire town of Mytholmroyd. He was a poet, translator, and children’s author. Hughes served in the Royal Air Force before going on to study anthropology and archaeology at Cambridge. At Cambridge, Ted Hughes developed an interest in mythology, which later went on to influence his work. In 1956, Hughes married Sylvia Plath, the American author and poet. In 1957, Ted Hughes won the First Book Contest. The competition was run by the Poetry Center and judged by esteemed poets such as W.H. Auden and Marianne Moore. The Hawk and the Rain (1957) won Hughes international acclaim and commercial success. Ted Hughes’ success continued throughout his long career, in his poetry collections, such as Lupercal (1960) and Birthday Letters (1998), children’s literature The Iron Man (1968), and anthologies such as The Rattle Bag (1982). Ted Hughes was also the executor of Sylvia Plath’s literary estate, editing much of h...

DIGGING BY SEAMUS HEANEY SUMMARY AND ANALYSIS

➥ DIGGING – HEANEY About the Author Seamus Heaney was born to a Catholic family on April 13, 1939, the eldest of nine children, on his family’s ancestral farm in County Derry, Northern Ireland. His poetry was greatly influenced by the landscape and traditions of this region, as well as by the religious strife developing between Catholics and Protestants in nearby Belfast, the capital of Northern Ireland. The landscape of rural County Derry is the setting and inspiration for much of his poetry. At age 12 Heaney received a scholarship to study at St. Columb’s College in Derry, where he learned Latin and Irish. He went on to study Anglo-Saxon at Queen’s University in Belfast. He earned a degree in English language and literature from Queen’s in 1961. He then attended St. Joseph’s Training College, also in Belfast. During this time he became inspired to write poetry, greatly influenced by the work of two contemporaries, English poet Ted Hughes (1930–98) and Irish poet Patrick Kavanagh (190...

ABSALOM AND ACHITOPHE LINES (150-476) BY JOHN DRYDEN Summary and Analysis

 ➥“ABSALOM AND ACHITOPHEL” LINES (150-476) – DRYDEN About the Author John Dryden, (born Aug. 9, 1631, Aldwinkle, Northamptonshire, Eng.—died May 1, 1700, London), British poet, dramatist, and literary critic. The son of a country gentleman, Dryden was educated at the University of Cambridge. His poetry celebrating the Restoration so pleased Charles II that he was named poet laureate (1668) and, two years later, royal historiographer. Even after losing the laureateship and his court patronage in 1688 with the accession of William III, he succeeded in dominating the literary scene with his numerous works, many attuned to politics and public life. Several of his nearly 30 comedies, tragedies, and dramatic operas—including Marriage A-la-Mode (1672), Aureng-Zebe (1675), and All for Love (1677)—were outstandingly successful. His Of Dramatick Poesie (1668) was the first substantial piece of modern dramatic criticism. Turning away from drama, he became England’s greatest verse satirist, pr...